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adding: "On Swift Horses, with its sweeping romance and epic nature, feels outside of time, transcending any issues to become something deeply affecting." On the other hand, the BBC's Caryn James considers it "a disappointment [that] works much better as an idea than as a film".
Released on 25 April in the US and Canada, and on 30 April in France
The Legend of Ochi
On a remote island in Eastern Europe, fanged and furry monsters called Ochi lurk in the forests. A farmer (Willem Dafoe) is obsessed by hunting them, but when his shy teenage daughter (Helena Zengel) finds an injured baby Ochi, it turns out to be a big-eyed, pointy-eared beastie that bears a striking resemblance to Gizmo from Gremlins and Grogu from The Mandalorian. The girl then defies her father and takes the creature back to its family – a journey that is visualised using practical rather than digital effects. "The Legend of Ochi, the rare A24 family film, is a charming throwback to adventure movies of the 80s like The Neverending Story and The Dark Crystal," says Brian Tallerico at RogerEbert.com, "complete with original puppetry that reportedly contains not an ounce of CGI manipulation. It feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work."
Released on 25 April in the US, the UK, Canada and Ireland
Released on 25 April in the US and Canada, and on 30 April in France
The Legend of Ochi
On a remote island in Eastern Europe, fanged and furry monsters called Ochi lurk in the forests. A farmer (Willem Dafoe) is obsessed by hunting them, but when his shy teenage daughter (Helena Zengel) finds an injured baby Ochi, it turns out to be a big-eyed, pointy-eared beastie that bears a striking resemblance to Gizmo from Gremlins and Grogu from The Mandalorian. The girl then defies her father and takes the creature back to its family – a journey that is visualised using practical rather than digital effects. "The Legend of Ochi, the rare A24 family film, is a charming throwback to adventure movies of the 80s like The Neverending Story and The Dark Crystal," says Brian Tallerico at RogerEbert.com, "complete with original puppetry that reportedly contains not an ounce of CGI manipulation. It feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work."
Released on 25 April in the US, the UK, Canada and Ireland
